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Updates for the film- and television world

Belgium

hln • 9 m

More than 100,000 visitors for the latest K3 film 'K3 en het Lied van de Zeemeermin' is already the eighth K3 film, but the formula is clearly not worn out. More than 100,000 people have gone to the cinema since 15 December to watch the adventures of Hanne, Marthe and Julia - the latter in her very first K3 film.

vertigoweb • 10 m

And the Ensors 2025 go to… During the Gala of the Ensors at the Ostend Film Festival on February 7, 2025, 'Holy Rosita' and 'Julie Zwijgt' stood out with five Ensors each. 'Holy Rosita' won, among other things, for Best Acting Performance Leading Role - Film (Daphne Agten) and the Telenet Audience Award. 'Julie Zwijgt' was awarded for Best Director Film (Leonardo van Dijl). 'SKUNK' received the Ensor for Best Film.

cineuropa.org • 10 m

The BIF market calls for submissions of genre cinema projects The BIF Market, part of the Brussels International Fantastic Film Festival (BIFFF), has opened the project submissions for the 2025 edition. This market, which takes place both online and in person, has been a key event for genre cinema in Europe since 2017.

filmfestivaloostende • 10 m

Frederik Daem and Nadège Bibo-Tansie look back tired but satisfied on their Brussels series 'Putain' Frederik Daem and Nadège Bibo-Tansia, writers of the Brussels series 'Putain', have completed their work after three years of production. The series, inspired by rapper Zwangere Guy, follows young people in Brussels.

filmfestivaloostende • 10 m

Directors César Díaz and Miwako Van Weyenberg on multilingualism on the film set At the Ostend Film Festival (FFO25), directors César Díaz and Miwako Van Weyenberg will present their films 'Mexico 86' and 'Soft Leaves'. Both films highlight the relationship between parent and child and are set against a backdrop of cultural displacement.

filmfestivaloostende • 10 m

Premiere of 'Dead Track' and star for Malin-Sarah Gozin Malin-Sarah Gozin, known for 'Clan' and 'Tabula Rasa', launched her new series 'Dood Spoor' during FFO25. The series follows a man who gets visions of the origin of everything he tastes. In addition to the premiere, Gozin received a star on the Ostend Walk of Fame.

filmfestivaloostende • 10 m

Shining stars and a cracking opening: FFO25 has started! Filmfestival Oostende 2025 (#FFO25) was festively opened with the premiere of 'Comeback' and the star laying on the sea wall. Charlotte Vandermeersch and directors Jan and Raf Roosens received a star. The festival runs until February 8.

filmfestivaloostende • 10 m

Streamz Academy Talks – From pitch to creation Streamz Academy, founded to develop writing talent, this year offers a focus on drama and more intensive personal coaching. Lies Lahousse and Jules Duys guide the projects from pitch to creation. The production required creative solutions and intensive collaboration.

filmfestivaloostende • 10 m

Casting in the film industry: how the right actor determines the value of a film On February 2, a panel discussion took place in De Grote Post about the importance of early casting for film financing. Well-known actors often attract the necessary investments, but there is also room for unknown talent to maintain authenticity.

filmfestivaloostende • 10 m

These are the winners of The Sabam Pitch for Professionals 2025 The winners of The Sabam Pitch for Professionals 2025 have been announced. This competition, supported by Sabam For Culture, offers film professionals financial and material support for their short film projects.

filmfestivaloostende • 10 m

Streamz is once again looking for up-and-coming writing talent Streamz announces the second edition of Streamz Academy, a development program for young screenwriters. After a selection process, four participants will be chosen to be mentored for a year by experienced screenwriters such as Sanne Nuyens and Roel Mondelaers.

cineuropa.org • 10 m

The Flemish Audiovisual Fund publishes a new report on the use of artificial intelligence in the creation of audiovisual projects The Flanders Audiovisual Fund (VAF) has published a report on the use of artificial intelligence (AI) in audiovisual projects. The study examined the use of AI in various project categories such as fiction, animation and documentaries.

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